Nothing in the world
is as soft, as weak, as water;
nothing else can wear away
the hard, the strong,
and remain unaltered.
Soft overcomes hard,
weak overcomes strong.
Everybody knows it,
nobody uses the knowledge.
So the wise say:
By bearing common defilements
you become a sacrificer at the altar of earth;
by bearing common evils
you become a lord of the world.
The hexagram pictures a dangerous abyss lying before us and a steep, inaccessible mountain rising behind us. We are surrounded by obstacles; at the same time, since the mountain has the attribute of keeping still, there is implicit a hint as to how we can extricate ourselves. The hexagram represents obstructions that appear in the course of time but that can and should be overcome. Therefore all the instruction given is directed to overcoming them.
THE JUDGMENT
OBSTRUCTION. The southwest furthers.
The northeast does not further.
It furthers one to see the great man.
Perseverance brings good fortune.
The southwest is the region of retreat, the northeast that of advance. Here an individual is confronted by obstacles that cannot be overcome directly. In such a situation it is wise to pause in view of the danger and to retreat. However, this is merely a preparation for overcoming the obstructions. One must join forces with friends of like mind and put himself under the leadership of a man equal to the situation: then one will succeed in removing the obstacles. This requires the will to persevere just when one apparently must do something that leads away from his goal. This unswerving inner purpose brings good fortune in the end. An obstruction that lasts only for a time is useful for self-development. This is the value of adversity.
THE IMAGE
Water on the mountain:
The image of OBSTRUCTION.
Thus the superior man turns his attention to himself
And molds his character.
Difficulties and obstructions throw a man back upon himself. While the inferior man seeks to put the blame on other persons, bewailing his fate, the superior man seeks the error within himself, and through this introspection the external obstacle becomes for him an occasion for inner enrichment and education.
° Nine in the fifth place means:
In the midst of the greatest obstructions,
Friends come.
Here we see a man who is called to help in an emergency. He should not seek to evade the obstructions, no matter how dangerously they pile up before him. But because he is really called to the task, the power of his spirit is strong enough to attract helpers whom he can effectively organize, so that through the well-directed co-operation of all participants the obstruction is overcome.
above K’UN THE RECEPTIVE, EARTH
below KEN KEEPING STILL, MOUNTAIN
This hexagram is made up of the trigrams Kên, Keeping Still, mountain, and K’un. The mountain is the youngest son of the Creative, the representative of heaven and earth. It dispenses the blessings of heaven, the clouds and rain that gather round its summit, and thereafter shines forth radiant with heavenly light. This shows what modesty is and how it functions in great and strong men. K’un, the earth, stands above. Lowliness is a quality of the earth: this is the very reason why it appears in this hexagram as exalted, by being placed above the mountain. This shows how modesty functions in lowly, simple people: they are lifted up by it.
THE JUDGMENT
MODESTY creates success.
The superior man carries things through.
It is the law of heaven to make fullness empty and to make full what is modest; when the sun is at its zenith, it must, according to the law of heaven, turn toward its setting, and at its nadir it rises toward a new dawn. In obedience to the same law, the moon when it is full begins to wane, and when empty of light it waxes again. This heavenly law works itself out in the fates of men also. It is the law of earth to alter the full and to contribute to the modest. High mountains are worn down by the waters, and the valleys are filled up. It is the law of fate to undermine what is full and to prosper the modest. And men also hate fullness and love the modest.
The destinies of men are subject to immutable laws that must fulfill themselves. But man has it in his power to shape his fate, according as his behavior exposes him to the influence of benevolent or of destructive forces. When a man holds a high position and is nevertheless modest, he shines with the light of wisdom; if he is in a lowly position and is modest, he cannot be passed by. Thus the superior man can carry out his work to the end without boasting of what he has achieved.
THE IMAGE
Within the earth, a mountain:
The image of MODESTY.
Thus the superior man reduces that which is too much,
And augments that which is too little.
He weighs things and makes them equal.
The wealth of the earth in which a mountain is hidden is not visible to the eye, because the depths are offset by the height of the mountain. Thus high and low competent each other and the result is the plain. Here an effect that it took a long time to achieve, but that in the end seems easy of accomplishment and self-evident, is used as the image of modesty. The superior man does the same thing when he establishes order in the world; he equalizes the extremes that are the source of social discontent and thereby creates just and equable conditions.
The Way never does anything,
and everything gets done.
If those in power could hold to the Way,
the ten thousand things
would look after themselves.
If even so they tried to act,
I’d quiet them with the nameless,
the natural.
In the unnamed, in the unshapen,
is not wanting.
In not wanting is stillness.
In stillness all under heaven rests.
The greatest power is the gift
of following the Way alone.
How the Way does things
is hard to grasp, elusive.
Elusive, yes, hard to grasp,
yet there are thoughts in it.
Hard to grasp, yes, elusive,
yet there are things in it.
Hard to make out, yes, and obscure,
yet there is spirit in it,
veritable spirit.
There is certainty in it.
From long, long ago till now
it has kept its name.
So it saw
the beginning of everything.
How do I know
anything about the beginning?
By this.
above CH’IEN THE CREATIVE, HEAVEN
below K’UN THE RECEPTIVE, EARTH
This hexagram is the opposite of the preceding one. Heaven is above, drawing farther and farther away, while the earth below sinks farther into the depths. The creative powers are not in relation. It is a time of standstill and decline. This hexagram is linked with the seventh month (August-September), when the year has passed its zenith and autumnal decay is setting in.
THE JUDGMENT
STANDSTILL. Evil people do not further
The perseverance of the superior man.
The great departs; the small approaches.
Heaven and earth are out of communion and all things are benumbed. What is above has no relation to what is below, and on earth confusion and disorder prevail. The dark power is within, the light power is without. Weakness is within, harshness without. Within are the inferior, and without are the superior. The way of inferior people is in ascent; the way of superior people is one the decline. But the superior people do not allow
themselves to be turned from their principles. If the possibility of exerting influence is closed to them, they nevertheless remain faithful to their principles and withdraw into seclusion.
THE IMAGE
Heaven and earth do not unite:
The image of STANDSTILL.
Thus the superior man falls back upon his inner worth
In order to escape the difficulties.
He does not permit himself to be honored with revenue.
When, owing to the influence of inferior men, mutual mistrust prevails in public life, fruitful activity is rendered impossible, because the fundaments are wrong. Therefore the superior man knows what he must do under such circumstances; he does not allow himself to be tempted by dazzling offers to take part in public activities. This would only expose him to danger, since he cannot assent to the meanness of the others. He therefore hides his worth and withdraws into seclusion.
Six in the third place means:
They bear shame.
Inferior people who have risen to power illegitimately do not feel equal to the responsibility they have taken upon themselves. In their hearts they begin to be ashamed, although at first they do not show it outwardly. This marks a turn for the better.
above CH’IEN THE CREATIVE, HEAVEN
below KêN KEEPING STILL, MOUNTAIN
The power of the dark is ascending. The light retreats to security, so that the dark cannot encroach upon it. This retreat is a matter not of man’s will but of natural law. Therefore in this case withdrawal is proper; it is the correct way to behave in order not to exhaust one’s forces.
In the calendar this hexagram is linked with the sixth month (July-August), in which the forces of winter are already showing their influence.
THE JUDGMENT
RETREAT. Success.
In what is small, perseverance furthers.
Conditions are such that the hostile forces favored by the time are advancing. In this case retreat is the right course, and it is not to be confused with flight. Flight means saving oneself under any circumstances, whereas retreat is a sign of strength. We must be careful not to miss the right moment while we are in full possession of power and position. Then we shall be able to interpret the signs of the time before it is too late and to prepare for provisional retreat instead of being drawn into a desperate life-and-death struggle. Thus we do not simple abandon the field to the opponent; we make it difficult for him to advance by showing perseverance in single acts of resistance. In this way we prepare, while retreating, for the counter-movement. Understanding the laws of a constructive retreat of this sort is not easy. The meaning that lies hidden in such a time is important.
THE IMAGE
Mountain under heaven: the image of RETREAT.
Thus the superior man keeps the inferior man at a distance,
Not angrily but with reserve.
The mountain rises up under heaven, but owing to its nature it finally comes to a stop. Heaven on the other hand retreats upward before it into the distance and remains out of reach. This symbolizes the behavior of the superior man toward a climbing inferior; he retreats into his own thoughts as the inferior man comes forward. He does not hate him, for hatred is a form of subjective involvement by which we are bound to the hated object. The superior man shows strength (heaven) in that he brings the inferior man to a standstill (mountain) by his dignified reserve.
I just threw the I Tjing and got exactly the same outcome as on 29 January 2020. That was the day before i moved out of my old house, my old home.
I do not know what this means. I do know i need to keep on working on my videoclip, which is still in its beginning stage.
Happy second Easter day, if you celebrate this day. I am making this post on a Friday. This weekend i am going to see my mum and have dinner with white asparagus.
Er moeten mensen zijn
die zonnen aansteken,
voordat de wereld verregent.
Mensen die zomervliegers oplaten
als het ijzig wintert,
en die confetti strooien
tussen de sneeuwvlokken.
Die mensen moeten er zijn.
Er moeten mensen zijn
die aan de uitgang van het kerkhof
ijsjes verkopen,
en op de puinhopen
mondharmonica spelen.
Er moeten mensen zijn,
die op hun stoelen gaan staan,
om sterren op te hangen
in de mist.
Die lente maken
van gevallen bladeren,
en van gevallen schaduw,
licht.
Er moeten mensen zijn,
die ons verwarmen
en die in een wolkeloze hemel
toch in de wolken zijn
zo hoog
ze springen touwtje
langs de regenboog
als iemand heeft gezegd:
kom maar in mijn armen
Bij dat soort mensen wil ik horen
Die op het tuinfeest in de regen BLIJVEN dansen
ook als de muzikanten al naar huis zijn gegaan
Er moeten mensen zijn
die op het grijze asfalt
in grote witte letters
LIEFDE verven
Mensen die namen kerven
in een boom
vol rijpe vruchten
omdat er zoveel anderen zijn
die voor de vlinders vluchten
en stenen gooien
naar het eerste lenteblauw
omdat ze bang zijn
voor de bloemen
en bang zijn voor:
ik hou van jou
Ja,
er moeten mensen zijn
met tranen
als zilveren kralen
die stralen in het donker
en de morgen groeten
als het daglicht binnenkomt
op kousenvoeten
Weet je,
er moeten mensen zijn,
die bellen blazen
en weten van geen tijd
die zich kinderlijk verbazen
over iets wat barst
van mooiigheid
Ze roepen van de daken
dat er liefde is
en wonder
als al die anderen schreeuwen:
alles heeft geen zin
dan blijven zij roepen:
neen, de wereld gaat niet onder
en zij zien in ieder einde
weer een nieuw begin
Zij zijn een beetje clown,
eerst het hart
en dan het verstand
en ze schrijven met hun paraplu
i love you in het zand
omdat ze zo gigantisch
in het leven opgaan
en vallen
en vallen
en vallen
en OPSTAAN
Bij dát soort mensen wil ik horen
die op het tuinfeest in de regen BLIJVEN dansen
ook als de muzikanten al naar huis zijn gegaan
de muziek gaat DOOR
de muziek gaat DOOR
en DOOR
There need to be people
that light suns,
before the world rains out.
People who let up summer kites
when it’s freezing winter,
and throw confetti
between the snowflakes.
Those people need to be there.
There need to be people
who stand at the exit of the cemetery
selling icecream,
and on the dumps
play harmonica.
There need to be people,
who stand on their chairs,
to catch the stars
in the mist.
Who make spring
of fallen leaves,
en of fallen shadow,
light.
There must be people,
who warm us
and who in a cloudless sky
are in the clouds
so high
they jump rope
along the rainbow
when someone has said:
come in my arms
Those are the people that I want to belong with
Who KEEP dancing at the garden party
even after all the musicians have gone home
There need to be people
who on the grey asphalt
in great big letters
paint LOVE
People who carve names
into a tree
full of ripe fruit
because there are so many others
who run from butterflies
and throw stones
at the first spring blue
because they are afraid of:
I love you
Yes,
There need to be people
with tears
as silver beads
who are rays in the dark
and welcoming morning
as the daylight comes
on dragging feet
You know,
there need to be people,
who blow bubbles
and have no concept of time
who can have childish wonder
about something that cracks
of beauty
They scream across the rooftops
that there is love
and wonder
when all those others are screaming:
no, the world is ending
and they see in every ending
a new beginning already
They’re a bit of a clown,
heart first
then mind
and they write with their umbrellas
I love you in the sand
because they are so enormously
absorbed in life
and fall
and fall
and fall
and RISE
These are the kind of people I want to belong with
Who KEEP dancing at the garden party
Even after the musicians have gone home
